Cover art

Still standing. $olus street art in Dalkey used with kind permission for the cover of my 2010 album ‘Battle Stations’ Thanks #streetart #irishmusic #singersongwriter

EP added to playlist IMS

Excited to hear this week that my songs ‘Black Irish Dogs’, ‘The Highway’ and ‘Country Mountain’ from my new EP will be playlisted on KCLR 96FM Irish Music Show on Nov 7th.

Follow me on facebook @iambead

Or Twitter @iambeadman @roddie_cleere show every Wednesday from 22:00 #irishmusic #indie #phillynott #singersongwriter #blackirishdogs #kclr96fm

New Music Release

The new EP Country Mountain is out today on iTunes.

New EP insta post (1)

Recorded in Portugal with Boz Boorer and mastered for iTunes by Tim Young @Metropolisstudios, London. #acousticmusic #indiefolk #itunes #newmusic Cover photo by Wil Stewart from unsplash.

New Bead EP featuring Boz Boorer

Yes, the recording which got off to a bit of a ‘rocky’ start last year is now complete and will be released in the coming weeks. So keep an ear out on my soundcloud and Instagram for updates.

It was an amazing experience and I am over the moon with the results which was achieved over two brief sessions (June and August 2017). I cannot wait for people to hear it.

Between session #1 (1-3 June 2017) and session #2 (24-27 Aug 2017), we finished 8 songs in total. Five of these songs will be released as an EP shortly.

As for the sessions, while I returned to Dublin in June, the producer roped in drummer Dave Ruffy who is best known for having toured and recorded with such artists as Kirsty MacColl, The Waterboys, Sinead O’ Connor and his own band The Ruts. I cannot thank Dave enough for playing on my songs.

Needless to say, the Drums changed everything and was the pivotal turning point in the way the sessions ended up sounding. Initially, my idea was to record an acoustic record as all of the songs were written on an acoustic guitar to begin with but sometimes you just gotta go where the song takes you. I have ended up with an acoustic guitar based sound but with much more than just one guy and a guitar. In short, this sounds like the record I have always wanted to make with Mandolin, Bass, Drums and Keyboards included.

Before we commenced the second session in August, the producer (Boz Boorer) collected me at FARO airport in his silver hatchback and we stopped off at a cafe on the way to the studio. As all good producers will do, he asked me if there was anything else I wanted to do on the recordings and I said I thought it was almost finished apart from a few vocal overdubs but I did get an idea that one of the songs should have a fiddle playing over it. That song started out with working title of ‘folksong’ but became known as ‘Black Irish Dogs’.

As luck would have it, Boz said he knew a local guy who could play fiddle, apparently known as ‘the bearded angel’ for his life saving skills. He sounded ideal and I gave a thumbs up to send out a search party for the infamous fiddle player. By the time I returned from the cash desk, ‘the bearded angel’ had been located and booked in for the next session. Little did we know it at the time but this would be one of many small but significant ideas in achieving the sound produced.

Although the sessions were great fun and an experience I will never forget, they were not without their problems which lead to delays. Without going into details, a number of challenging events took place throughout the sessions which added unexpected pressure to those involved. My thanks to Boz for sticking with it and for putting so much of his craft and energy into these recordings. You can really hear it in the songs.

Track listing:

1. Just Like The Beatles (Dwyer/Murphy)

2. No One Ever Told Me (Dwyer)

3. The Highway (Dwyer)

4. Black Irish Dogs (Dwyer)

5. Country Mountain (Dwyer)

Produced by Boz Boorer
Mixed by Bead

Recorded at Serra Vista, Monchique, Portugal and Dublin.
Mastered by Tim Young @ Metropolis Studios, London

Bead – Voice, Guitars, Keys, Loops
Boz – Guitars, Bass, Keys, Mandolin, Backing vocals, Percussion, Loops

Special guests:
Dave Ruffy – The Drums
Stuart Wilcock – The Fiddle on ‘Country Mountain’ & ‘Black Irish Dogs’
Clare Murphy – Backing vocals on ‘Just Like The Beatles’


Serra Vista Studio

Morrissey Dublin 20-02-2018

Thirteen thousand gathered on an otherwise average Tuesday night in Dublin to see one man and his incredible band triumphantly take to the stage at the 3Arena. 

Greeted by an enthusiastic Moz, we were treated to a superb setlist that did not disappoint including The Smiths ‘I started something I couldn’t finish’, ‘How soon is now’ and old Moz faves ‘Irish blood, English heart’, ‘Jack the ripper’, ‘Suedehead’, ‘Everyday is like Sunday’, ‘Speedway’, ‘Hold onto your friends’. 

From Swords, we were dealt a pounding ‘If you don’t like me, don’t look at me’ and for the anniversary ‘Munich Air Disaster 1958’ accompanied by bleak black and white footage of the crash which lost 23 lives. . ‘World Peace’ from the last album wobbled along as did ‘Bullfighter’. The new album Low in high school was well represented with a great rendition of ‘Home is a question mark’, ‘When you open your legs’, a raucous ‘Jacky’s only happy when she’s up on stage’, ‘I bury the living’, ‘I wish you lonely’, a crowd pleasing ‘Spent the day in bed’, ‘Who will protect us from the police’. Covers included a heart stopping version of The Pretenders ‘Back on the chain gang’, and a few bars of Gilbert O’ Sullivan’s ‘Alone again, naturally’. A very above average Tuesday night after all. Hats off to the band. Looking forward to the Ally Pally gig in March.

Recording session with Boz Boorer day 1

1st June 2017

Day 1 – ‘Bury The Ghost’ recording sessions with Boz Boorer, Serra Vista Studio, Portugal.

Landed in Faro airport in the afternoon after getting a morning flight from Dublin, for another epic session with Boz Boorer.

Got a lift to the mountain (Monchique) by his lovely wife Lyn and drove past some flying storks on the drive up. Man, I have never seen anything like it. The site of a stork flying across your windscreen, was like something out of a Jurassic park movie. These guys are huge.

I arrived at the studio late afternoon to find the Boz man in the studio but looking unusually distracted. It turns out he was looking for songs on his back up drives. Im not sure if I was much help but a few minutes later, the songs were located.

Once found, we got started on a couple of my songs. The first song (working title ‘folksong’) was easy, being a mainly acoustic affair so I started the session with this. 

Boz had a new acoustic guitar, an Alvarez and asked if I would like to play it. I gave it a few strums and agreed I would. The last time I was here was in 2010, recording my ‘Battle Stations’ album and I had used a really old Epiphone acoustic which I was really fond of and looking forward to playing but there was no sign of it about and I did’t feel like asking for fear of putting him to the trouble of looking for it. Boz is a very generous and obliging fellow and I was sure if I asked, he would have gone out of his way to accommodate me. 

I was very tired as I started to play (10pm) but was really determined to make a good start on the session as I knew I would only have a couple of days in the studio with Boz. He planned to fly to Rome to work with Morrissey on his new album. Turns out the songs on his back up drives were ones he wrote for the forthcoming Morrissey album. I can’t wait to hear them.

The next song we worked on was another acoustic track called ‘Country Mountain’. This one was written in Portugal the last time I was here (September, 2010) influenced by my experience with Boz and my friends. On writing this, I had decided that if I was lucky enough to ever get the chance to work with Boz again, it would be here, in Serra Vista Studio that I would record this song. It turned out amazing with Boz adding a mandolin as requested by moi, over the acoustic guitars. Beautiful…

As day one came to a close, from the control room, we listened back for a while and marvelled at the work we had achieved together. It wasn’t finished at this point but we could tell this had potential to be something really special.

I started singing along as we listened but not words.. just a weird harmony whoop that came to me instantly. I would often sing out noises rather than words from a very young age. Even when I was first starting out, in bands in Dublin, we would write songs together and the next thing you know the BEAD would start howling like a banshee before the rest of the band looking like they were in the presence of a madman. 

Boz threw me look and a big smile. 

“What the **** was that? That was good! Will you remember to sing that in the morning?” he enquired.

I was too tired to do anymore for now so I promised him I would do my best to remember the weird harmony. As I went off to find my bed for the night, I hummed the harmony to myself hoping to ingrain it in my tired brain for recall the next day.